Richard Wright, Native Son

Wright, Richard. Native Son. Harper & Brothers, 1940.

Summary of Work
Bigger Thomas wakes up in the one bedroom, small kitchenette flat that he and his family of four share. There is a rat, and his mother has him and his brother attempt to kill it. In killing the rat with a cast iron pan, Bigger breaks a box. He then scares his sister Vera to fainting as he approaches her with the dead rat. His mother gets after him, and continues to tell him that he is good for nothing and ask him why he won’t work rather than cause trouble. She reiterates that she has him a job opportunity from the relief center, and that they are living on the grace of others and God because they have so little money. He sits and eats as she says this, and then asks for money. She gives him twenty five cents, and he heads out.

He knows his interview isn’t until the evening, and he has time. He wants to do something, but doesn’t have the money. So he goes to the pool house and waits for his crew to arrive: GH, Jack, and Gus. They start planning to rob a white man’s deli down the street at 3 PM because the cops aren’t around and no one will yet be shopping. Bigger says that with a couple of guns they could do it in three minutes flat. They, after some argument from Gus, decide to go through with the plan. In the meantime, they go to the movies and masturbate while watching a group of young heiresses frolick on the beach in Florida. He sees Mary Dalton on the screen, and tells the other men that it is the Dalton family who might give him the job this evening.

Bigger is getting more and more nervous about robbing the white man’s store. What if they get caught? He also has a chance for a job, and what would the robbery do to those chances? He decides he has to go through with it because the other boys are going to. He goes and gets his gun and goes back to the pool hall. Gus is later than everyone else, and Bigger uses that as an excuse to start a fight. He has a knife at Gus’s throat and makes him do humiliating things. When the pool house owner, Doc, tells him that’s enough and to stop, he damages the pool tables with his knife, and Doc pulls his gun out and tells Bigger to leave and never come back.

He leaves, goes home, and then nearly immediately has to leave for the interview and doesn’t have time to eat. His mother gives him a little money to buy dinner on the way. He goes directly to the Dalton home and rings the bell on the front door because he cannot find a way to the back entrance. He is let in and led into Mr. Dalton’s study. After an interview where Bigger feels very uncomfortable, he is hired to be the Dalton family chauffer. Mary Dalton walks in just after that and starts asking him questions like if he is part of a Union, and it makes Bigger dislike her immediately because he doesn’t know how to answer the questions and doesn’t want to because he is afraid of associating with white women for fear of being lynched or murdered or put in jail for it.

Mr. Dalton tells Bigger to go out to Peggy, who will show him where he will be sleeping. He is told that he will have $25 a week, five of which will be for spending money for him each week. He is also told that he needs to drive Miss Dalton to the college that evening. He sees his room, gets food in the kitchen, and Peggy also tells him that he is to tend to the furnace while he works there. Then goes back home quickly to collect his things. When he returns, he overhears discussion when he sits in his closet. He pretends to be putting away his clothing when he is doing this so if he is caught it won’t look unnatural for him to be in the closet.

He then goes down for a drink of water and Mrs. Dalton, who is blind, is in the kitchen. She talks to him about their previous chauffer and how he got an education and now has a good government job. She asks him if he would like an education and he says no, that he doesn’t have time or opportunity. She says if they were to afford him the opportunity, would he go, and he replies no. She tells him they will talk about it later, and that it is time to get Mary to college. He goes and gets the car out, a Buick, and she comes out the front. About halfway to the college she tells him to go someplace else, and they go to the Communist headquarters and she brings out a man, Jan Erlohn. He forces Bigger to shake hands with him, and then Mary says that they are all going to get in the front seat, Jan is to drive, and that they’d like to eat where black people eat.

Bigger tells them about a fried chicken place on the South side, and when they get there, he is astounded that they won’t eat there without him despite his saying that he is not hungry and would rather wait with the car. Feeling forced, he gets out, and his step away from Mary makes her cry, and Jan comforts her. They eat, and everyone is staring at Bigger. His girlfriend Bessie comes over and he won’t speak with her for fear of the white people being with him. She is offended and leaves. Jan orders beer and then a bottle of rum, and they take the bottle with them when they leave. Jan and Mary get in the back seat of the car and tell him to go drive around the park. They get drunk in the back seat, occasionally letting Bigger have a swig of liquor. He drives for two hours while they are kissing and spooning in the back seat, and they drop Jan off just about 2 AM. Jan lets Mary take one more very large drink, enough to make her very drunk.

When Bigger drives her back, she is again in the front seat, she cannot walk on her own and keeps falling unconscious. He takes her around the back, her purse left in the car, the door ajar. He carries her up the stairs, hoping that no one will notice. When he puts her in her room, he looks at her, and kisses her and grabs her breasts. But as he is doing this as she is in bed, Mrs. Dalton walks in the room. He freezes. She is calling out to her daughter, and in fear of her saying anything to indicate that he is in the room, he puts his hand over her mouth. When she keeps calling and Mary keeps trying to answer and take his hand off of her mouth, he puts the pillow over her and keeps an iron hand down on it. She struggles, and then the struggle stops so he lets go and backs away as Mrs. Dalton gets close to the bed. Mrs. Dalton just expects that her daughter has passed out from the drink, so she leaves the room.

When Bigger takes the pillow off of her face and looks at her, he realizes he has killed her. He is panicked and doesn’t know what to do. It was an accident, but he knows no one will believe it and that people will say he raped her. He also knows that Mary is supposed to go to Detroit in the morning, so he decides to try and stuff her in her trunk. She fits, and he carries her down the stairs in it to the basement. And when he passes the furnace he has the thought that he can dispose of her body in the furnace. So he takes her out of the trunk and pushes her in, but her head won’t fit in. He spreads newspapers under her body and cuts her head with his knife. But the knife won’t cut the bone, so he takes a hatchet and cuts off her head with that, blood falling all over the newspapers. He then puts her head and all the newspapers into the furnace and covers the body with coal, hoping it will burn. He closes the trunk and leaves, deciding to take Mary’s purse with him as he does so and leave the car out.

As he goes home, he decides that he will frame Jan for the murder when it comes to light, but hopes that it will not come to light for some time because she is supposed to be traveling. He looks through her purse and finds a roll of bills, which he takes, and he disposes of the purse. He also disposes of his knife. When he wakes up at his home in the morning, his mother asks him why he got in at nearly 3 AM. He claims that he got in around 2 so insistently that she gives up. His little brother also insists that he got in late. He eats breakfast with them quickly but says he has to go back to his job. As he runs out of the house, his brother follows him, holding the rolled bills in his hand and asking if he is in any trouble. He tells his brother no and hands him a bill as payment for his silence about having the money.

Then he goes to a local eatery and buys himself a pack of cigarettes with the money, and as his friends Jack, GH, and Gus come in, he buys each of them a pack of cigarettes as well. For the first time ever, Bigger is feeling powerful and free because he knows things others do not and he is making his own course. He goes back to the Daltons’ home and takes the trunk to the station. As he gets back and sits and waits for the never coming Miss Dalton, Peggy asks if she is out to be taken yet, and when he says no, she gets worried because Miss Dalton is also not in the home. Peggy has known Miss Dalton since Miss Dalton was two years old, and has nothing but love for the family who gave her, an Irish immigrant, a good job to last her life.

When Bigger goes back in the home, he goes to his room after eating and then listens in as Mrs. Dalton and Peggy talk about Mary being gone. They think it is one of her tricks. But more and more, especially when the trunk comes back, they genuinely worry about her being missing. Mr. Dalton calls a private investigator, Briton, and he questions Bigger about the missing girl. He talks about the evening previous, and says that Jan came home with them that evening and went upstairs with Mary. He says Jan told him to take the trunk down and he left her with him, and that Jan also told him to leave the car out and that he’d take care of it, which is why it had sat outside all night in the snow. After, he goes to his girlfriend’s house, and after he sleeps with her, he gets an idea that he can, like a previous case, make a kidnapping note and get a ransom and then leave town. He brings Bessie in on the plan, telling her she will be the one to pick up the money.

In the meantime, the police question Jan, who is incredulous and thinks that because he is a communist and loves his daughter, Mr. Dalton is out to get him. He confronts Bigger about it, thinking that they have paid him and forced him to lie, and Bigger pulls a gun on him and tells him to stay way. He then gets paper and pen and writes a ransom note and signs it Red, knowing they will think communism and more suspicion will be on Jan. He slips the note in the front door as he is walking toward the back door of the house. All the while, Bigger is worried about the furnace. Peggy has told him that it needs cleaning, and he know that there is a good chance the bones have not burned in it. By evening, the press has got wind of the story, and everyone is soon there asking questions about the missing girl and about how Mr. Dalton feels about the communist boy he’s had locked up.

Mr. Dalton has by this time received the ransom letter, and decides to make a statement to the press that he intends to pay the ransom and that he would like them to publish that the police are not to interfere because he wants his daughter back. Bigger is somewhat excited, but also worried because he is thinking about the bones in the furnace. The furnace isn’t working properly, so he has to do something. He pours more coal on, but it creates a plume of smoke, and before he can properly get the ashes out of the furnace, a newspaper man takes the shovel from him and does it. Everything seems fine, but the newspaper man, when the dust clears, keeps staring at the ashes. He slowly pulls out bones. All the men gather round, and as Bigger looks over them, he sees the bones, panics, and runs.

He runs to Bessie and forces her to go with him with some bedding to an abandoned building. There, he rapes her, and then when she is asleep, he realizes that he must kill her. He finds a brick, bashes her head in, and drops her down an air shaft. But she had the roll of bills in her pocket, and he forgot to take it out, and so now he is penniless as well. He hides in different buildings, stealing newspapers to see the headlines. He is all over in the headlines, and there is a manhunt on for him. He buys bread with the little money he has left and searches for places to hide. The manhunt for him has damaged the lives of people across the black community in the South side of Chicago. Men have been let go from their work and every black home is being raided in search of him. He cannot escape, so he hides in a kitchenette building. When they go to search that, he hides on the roof. He is almost clear when a man comes on the roof, and he decides to hit the man on the head and knock him out with the gun. He does so, but the man’s partner sees his body and sounds the alarm. Bigger climbs atop a water tower and has his gun at the ready, shooting at anyone who tries to get near him. In response, they bring a fire hose up and douse him with water, getting him to drop the gun and fall. They drag him down the stairs, and he wakes in jail.

He will not eat or speak, and when his accusers are brought before him after Bigger has fainted at the arraignment hearing, he is sickened and wants them to go way. When his family preacher comes, he feels the same, and he wishes his family and friends would not be there either. Jan also comes in, and Jan talks to him, telling him that he doesn’t understand, but he forgives him for trying to frame him and that he wants to help him by getting him a lawyer to work with. Max, the lawyer, tells him to not sign a confession or speak to the DA. But when Buckley, the DA, comes in and talks to him, he speaks and tells him what happened, and it is written down and he signs the confession. At the arraignment, he listens to them discuss his crimes and sees the evidence: bones, metal, his knife, and Bessie’s mangled body. Going out of the arraignment, he is forced in a car, and as he is getting in, he sees a burning cross on a building. He recognizes it after some time as the KKK’s burning cross, and in his fear and anger he rips the cross the preacher gave him off of his chest and refuses to put it back on or take it, associating it with the burning cross above him.

They drive him to Mr. Dalton’s house and put him in Mary’s room, which hasn’t been touched since the night of the murder. They corner him and tell him that he should show them how he killed her and what he did, how he raped her. And Bigger, furious, refuses their insistent demands. The DA decides that he doesn’t need him to do that and doesn’t want to fight with Bigger to get him to do that. Then he is put back in jail. And Max comes to him and discusses the arraignment and what will happen at the indictment and the trial.

Max, a Jew, gets Bigger to talk to him, and Bigger doesn’t understand why this man is helping him when it will make all these white men hate him too. But he decides, against his mind, to trust Max to a point, and discusses his life and how he wanted to be an aviator but couldn’t get the training and that the Navy and Army only wanted blacks for menial work so he really had no chance at life to be happy or work in a way he wanted to. He discusses the murders and says that he hated Mary for her whiteness and her behavior toward him, and that he killed Bessie out of need for survival, and he never really loved Bessie even though she was his girlfriend. After discussing things with Max, Max leaves and tells him that they will plead not guilty at the indictment and then change the plea during the trial, and he will then plead the case for mitigation of sentence so that Bigger can spend life in prison rather than die in the electric chair. Bigger doesn’t have any real hope that this is the case, but there is a small spark of hope in him because Max believes.

In the meantime, he reads the newspapers and sees that the white community has accused him of many more murders and rapes and essentially has made him out to be a beast. He knows that he will be put on trial for rape and murder even though it was not rape, just murder, of Mary Dalton. He also knows that Bessie’s body is simply evidence, and that he isn’t being tried for her murder, just the white woman’s. At the trial, the DA is upset thinking that Max is trying to make an insanity plea, and in the prosecution, he brings forth sixty witnesses to testify to both Bigger’s crimes and his sanity. The next day, Max gives an account of more than just Bigger’s life: he gives an account of the conditions that white people have created for black people that disallow them to live in quality conditions or to grow, and that it is what causes these crimes; fear of whites causes these crimes; and whites’ fear of blacks causes these crimes because they accuse blacks of these crimes before they even commit them. The prosecution rebuts the argument, saying that Bigger never really wanted a chance even when he got one and that he never wanted to work, and that the defense is just communist jargon.

An hour later, they reach a sentencing verdict. The judge sentences Bigger to die for his crimes. Max says that it is not over yet, and he will appeal to the governor. But Bigger has resigned himself. He purges himself of emotion and eats simply to stave off hunger. He doesn’t have it in him to get a gun from an officer and kill himself. His family comes to visit him once, but he doesn’t want to see them, and tells them not to come again. He doesn’t write to anyone despite having the opportunity to. On the day of his execution, Max comes to tell him he is sorry, that the plea to the governor failed. Bigger tells him he is alright, and it is fine, and that he is glad to have got to know Max. He also tries to tell Max how he felt, and Max tells him that he needs to believe in himself and the chance for freedom and equality, even though it is too late for Bigger now because of the decisions he made. And Bigger says that he does believe in himself, and that is why he did what he did: he finally found something worth believing in enough to kill for, to die for. Max, crying, says his goodbyes. Bigger tells him to tell his mother and family he is alright, and to tell Jan hello. Then the door closes behind Max, and the story ends.

Brief Note on Themes
Black-white relations is on overarching, major theme for this novel. How have racist superstructures, long in place, molded and changed black and white minds so that they deal with each other in very specific ways? What happens when those social mores are broken or trespassed? The criminal justice system is another central part of this story. Max points out that similar murders do not cause such a riot, and yet the murders committed by black men are treated that way because of race. The system itself already labeled him a criminal, and might have taken Bigger in anyway for some perceived crime. If blacks people are already labeled as criminal, is there anything we can say but that white minds created them to be criminal (kind of like the line from Thomas More’s Utopia about thieves)?

Wright also takes a lot of time to vividly describe living conditions for black people in the South side of Chicago, discussing in detail the kitchenettes, the unsanitary living conditions and exorbitant rent they pay for them, the tough time for black business owners and black men, and the life struggles of black women. He does this in great detail in his work 12 Million Black Voices, but this work, combined with the fictional narrative of Bigger Thomas, shows just how much of an effect those living conditions have on the entire community. This is a social element to the fiction. Another social element is the discussion of communist party designs on black people and their votes and influence. The characters in the communist party come off as very well meaning in the story, and yet given the literature that Jan gives to Bigger to read, people are left wondering what uses this has for the largely white-run party. It feels very similar to how the Brotherhood functions in Invisible Man.

Economic relations are another large part of this book. Mr. Dalton is the landlord for the building where the Thomas family lives. The poverty of the Thomas family is stark against the wealth of the Dalton family. The Daltons are large donators to black education and other social programs for black people, but they do so on their own terms and at a distance, where they never have to see that they are part of the cause of black suffering with their indifference and price gouging. This is the fact that the communist lawyer tries to exploit in the trial, but fails. The story reveals how the superstructures of racist power are largely upheld by economic and political means rather than simply social custom. The power behind the racial prejudice in the form of the justice system and the capitalist system keep white supremacy as the governing system.

Religion as a blinding force and power is briefly discussed in the narrative. Rather than be an aid and comfort to Bigger, Christianity is a thorn in his side, because he recognizes that the religious system just plays into racist power: if poor black people can be focused on a better life in the afterlife, they will not focus as much on their miserable living conditions on Earth. The system asks for meekness and nonviolence and for trust in God and Jesus to answer prayers and set them free, meaning that it can be a system of control; no violence to the white supremacist system can ever occur if the people actively believe that change can come from prayer and fasting and church attendance. The narrative Wright wrote shows how intertwined and complex racist superstructures are and how hard they are to dismantle, even impossible to dismantle. It showed black rage and fear to a reading public in a way that is shocking even today.

Reading List: Genre, The Novel

  1. Don Quixote 1605                                                             Miguel Cervantes
  2. Robinson Crusoe 1719                                                      Daniel Defoe
  3. Pride and Prejudice 1813                                                 Jane Austen
  4. Frankenstein 1818                                                            Mary Shelley
  5. The Scarlet Letter 1850                                                    Nathaniel Hawthorne
  6. Benito Cereno 1855                                                           Herman Melville
  7. Anna Karenina 1877                                                         Leo Tolstoy
  8. The Adventures of Huckleberry Finn 1884                   Mark Twain
  9. The Picture of Dorian Gray 1890                                    Oscar Wilde
  10. A Portrait of an Artist as a Young Man 1916                James Joyce
  11. The Great Gatsby 1925                                                     F. Scott Fitzgerald
  12. To the Lighthouse 1927                                                   Virginia Woolf
  13. The Sound and The Fury 1929                                       William Faulkner
  14. Absalom, Absalom! 1936                                                William Faulkner
  15. Their Eyes Were Watching God 1937                            Zora Neale Hurston
  16. Native Son 1940                                                                Richard Wright
  17. Invisible Man 1952                                                           Ralph Ellison
  18. The Lost Steps 1953                                                          Alejo Carpentier
  19. Go Tell It On The Mountain 1953                                    James Baldwin
  20. Things Fall Apart 1958                                                     Chinua Achebe
  21. The Man in High Castle 1962                                          Philip K. Dick
  22. One Hundred Years of Solitude 1967                             Gabriel Garcia Marquez
  23. Sula 1973                                                                            Toni Morrison
  24. Song of Solomon 1977                                                      Toni Morrison
  25. Wild Seed 1980                                                                  Octavia Butler
  26. The Terrible Twos 1982                                                    Ishmael Reed
  27. The Things They Carried 1990                                        Tim O’Brien
  28. Bailey’s Cafe 1992                                                              Gloria Naylor
  29. White Teeth 1999/2000                                                     Zadie Smith
  30. Austerlitz 2001                                                                   W.G. Sebald
  31. American Gods 2001                                                         Neil Gaiman
  32. The Brief Wondrous Life of Oscar Wao 2007                Junot Diaz
  33. The Sympathizer 2015                                                       Viet Thanh Nguyen
  34. The Underground Railroad 2016                                     Colson Whitehead
  35. Future Home of the Living God: A Novel 2017              Louise Eldrich

 

 

Criticism and Theory

 

  1. The Rise of the Novel 1957                                                                   Ian Watt
  2. “An Image of Africa” 1977                                                                   Chinua Achebe
  3. The Afro-American Novel and Its Tradition 1987                            Bernard W. Bell
  4. Playing in the Dark 1992                                                                      Toni Morrison
  5. The Black Atlantic 1995                                                                       Paul Gilroy
  6. History and Memory in the Two Souths 1999                                  Deborah N. Cohn
  7. The World Republic of Letters 2004                                                   Pascale Casanova
  8. Selections from The Novel: An Alternative History 2013              Steven Moore
    Chapter 4: The English Novel
    Chapter 5: The American Novel
  9. Quixote: The Novel and the World 2015                                             Ilan Stavans

Reading List: Dissertation Topic—Performance in 20th Century AfAm Literature and Culture

Fiction

  1. Jazz                                                             Toni Morrison
  2. Love                                                            Toni Morrison
  3. Damballah                                                 John Edgar Wideman
  4. Sent for You Yesterday                             John Edgar Wideman
  5. Hiding Place                                              John Edgar Wideman
  6. Praisesong for the Widow                      Paule Marshall
  7. Mama Day                                                 Gloria Naylor
  8. Corregidora                                               Gayl Jones

 

Repeated from 20th Century American Literature List:

The Color Purple                                                 Alice Walker

Their Eyes Were Watching God                        Zora Neale Hurston

Invisible Man                                                       Ralph Ellison

Go Tell It On The Mountain                                James Baldwin

Sula                                                                         Toni Morrison

 

 

 

Nonfiction

  1. All God’s Children Need Traveling Shoes  Maya Angelou

Repeated from 20th Century American Literature List:

The Big Sea                                                               Langston Hughes

I Know Why The Caged Bird Sings                        Maya Angelou

The Souls of Black Folk                                           W.E.B. Du Bois

Between the World and Me                                    Ta-Nehisi Coates

 

 

 

 

Drama

  1. Joe Turner’s Come and Gone                     August Wilson
  2. Ma Rainey’s Black Bottom                         August Wilson
  3. The Piano Lesson                                         August Wilson
  4. Blues for Mister Charlie                              James Baldwin

 

Repeated from 20th Century American Literature List:

A Raisin In The Sun                                               Lorraine Hansbury

 

Poetry

1. Jazz Poems                                                             Ed. Kevin Young
(Everyman’s Library Pocket Poets Series)

2. Blues Poems                                                            Ed. Kevin Young
(Everyman’s Library Pocket Poets Series)

 

 

Critical Works

  1. Jazz Dance                                                          Jean and Marshall Stearns
  2. Steppin’ On The Blues                                       Jacqui Malone
  3. Modern Dance, Negro Dance                          Susan Manning
  4. Reading Dancing                                               Susan Leigh Foster

 

  1. Dancing Class: Gender, Ethnicity, and Social Divides in American Dance, 1890-1920

Linda J. Tomko

 

  1. Social Choreography: Ideology as Performance in Dance and Everyday Movement

Andrew Hewitt

 

  1. Punctuation: Art, Politics and Play             Jennifer DeVere Brody

 

  1. Darkening Mirrors: Imperial Representation in Depression-Era African American Performance

Stephanie Leigh Batiste

 

  1. “A Race for Theory”                         Barbara Christian

 

  1. Jookin’: The Rise of Social Dance Formations in African-American Culture                            

    Katrina Hazzard-Gordon

 

  1. Black Dance: From 1619 to Today                           Lynne Fauley Emery
  2. The Black Dancing Body From Coon to Cool         Brenda Dixon Gottschild

 

  1. Bodies in Dissent: Spectacular Performances of Race and Freedom, 1850–1910

     Daphne Brooks

 

  1. Black Dance in America: A History Through its People       James Haskins
  2. Blues People: Negro Music in White America                        LeRoi Jones (Amiri Baraka)
  3. Black Looks: Race and Representation                                    bell hooks
  4. Black Skin, White Masks                                                            Frantz Fanon

 

  1. Selections from Dancing Many Drums: Excavations in African American Dance (Studies in Dance History) Thomas F. Defrantz

Chs 2 – 7

 

  1. Listening for Africa: Freedom, Modernity, and the Logic of Black Music’s African Origins

David F. Garcia

 

  1. “The Negro Artist and the Racial Mountain”                                         Langston Hughes
  2. Stomping the Blues                                                                                      Albert Murray
  3. Hot Music, Ragmentation, and the Bluing of American Literature     Steven Tracy
  4. Blues, Ideology, and Afro-American Literature                                      Houston Baker
  5. Shadow and Act                                                                                            Ralph Ellison
  6. Black Resonance:Iconic Women Singers and African American Literature Emily Lordi
  7. Black Performance Theory                         ed. Thomas F. DeFrantz & Anita Gonzalez

Reading List: 20th Century American Literature

Fiction

  1. Autobiography of an Ex-Colored Man 1912            James Weldon Johnson
  2. Winesburg Ohio 1919                                                 Sherwood Anderson
  3. The Great Gatsby 1925                                                Scott Fitzgerald
  4. The Sound and the Fury 1929                                    William Faulkner
  5. Passing 1929                                                                 Nella Larsen
  6. Mules and Men 1935                                                    Zora Neale Hurston
  7. Absalom, Absalom! 1936                                            William Faulkner
  8. Their Eyes Were Watching God 1937                        Zora Neale Hurston
  9. Of Mice and Men 1937                                                 John Steinbeck
  10. The 42nd Parallel 1938                                                John Dos Passos
  11. Native Son 1940                                                            Richard Wright
  12. Invisible Man 1952                                                       Ralph Ellison
  13. Fahrenheit 451 1953                                                     Ray Bradbury
  14. Go Tell It On The Mountain 1953                                James Baldwin
  15. The Lost Steps 1953                                                       Alejo Carpentier                       
  16. The Man in High Castle 1962                                       Phillip K. Dick
  17. One Hundred Years of Solitude 1967                          Gabriel Garcia Marquez
  18. Sula 1973                                                                         Toni Morrison
  19. Song of Solomon 1977                                                   Toni Morrison
  20. Wild Seed 1980                                                               Octavia Butler
  21. The Color Purple 1982                                                   Alice Walker
  22. Deadeye Dick 1982                                                         Kurt Vonnegut
  23. The Terrible Twos 1982                                                 Ishmael Reed
  24. The Things They Carried 1990                                     Tim O’Brien
  25. The Brief Wondrous Life of Oscar Wao 2007             Junot Diaz
  26. The Sympathizer 2015                                                   Viet Thanh Nguyen
  27. The Underground Railroad 2016                                 Colson Whitehead
  28. Future Home of the Living God: A Novel 2017          Louise Eldrich

 

 

Poetry

  1. Collected Poetry                                                             Maya Angelou
  2. The Collected Poems of Langston Hughes                Langston Hughes
    (Vintage Classics)
  3. One Big Self                                                                     D. Wright
  4. “The Book of the Dead”                                                 Muriel Rukeyser
  5. “The Love Song of J. Alfred Prufrock”                         S. Eliot
  6. Cane                                                                                   Jean Toomer
  7. Selections from “A”: 1, 2, 3,                                             Louis Zukofsky
    6, 7, 8, 11, 12
  8. “Preface to a Twenty Volume Suicide Note”              Amiri Baraka
    “Legacy”
  9. Thrall                                                                                  Natasha Tretheway
  10. Citizen                                                                                Claudia Rankine

 

 

NonFiction

  1. The Big Sea                                                            Langston Hughes
  2. I Know Why The Caged Bird Sings                    Maya Angelou
  3. The Souls of Black Folk                                       W.E.B. Du Bois
  4. Notes of a Native Son                                           James Baldwin
  5. Silent Spring                                                         Rachel Carson
  6. The Electric Kool Aid Acid Test                          Tom Wolfe
  7. The Autobiography of Malcolm X                      Malcolm X
  8. Between the World and Me                                 Ta-Nehisi Coates

 

Drama 

  1. Fences                                                                     August Wilson
  2. The Death of a Salesman                                     Arthur Miller
  3. A Streetcar Named Desire                                   Tennessee Williams
  4. Angels in America                                                 Tony Kushner
  5. A Raisin In The Sun                                               Lorraine Hansbury
  6. Topdog/Underdog                                                  Suzan-Lori Parks

 

Short Stories 

  1. “Hills Like White Elephants”                               Ernest Hemingway
  2. “The Lottery”                                                          Shirley Jackson
  3. “A Good Man Is Hard to Find”                            Flannery O’Connor
  4. “Judgement Day”                                                   Flannery O’Connor
  5. “Sonny’s Blues”                                                      James Baldwin
  6. “Everyday Use”                                                      Alice Walker
  7. “A&P”                                                                        John Updike
  8. “Where Are You Going, Where Have You Been?” Joyce Carol Oates
  9. “Two Kinds”                                                            Amy Tan
  10. “Eyes of Zapata”                                                     Sandra Cisneros
  11. “Barn Burning”                                                      William Faulkner
  12. “Girl”                                                                         Jamaica Kincaid
  13. “How To Tame a Wild Tongue”                          Gloria Anzaldúa

 

Criticism and Theory

  1. Poetry and the Age                                                 Randall Jarrell
  2. The American Novel and Its Tradition               Richard Chase
  3. Selections from A New Literary                          Greil Marcus and Werner Sollors
    History of America
    “The problem of the color line”
    “The invention of the blues”
    “‘Alexander’s Ragtime Band’”
    “A modernist moment”
    “Mamie Smith’s ‘Crazy Blues’”
    “Jean Toomer”
    “T.S. Eliot and D.H. Lawrence”
    The Great Gatsby”
    “John Dos Passos”
    “Arthur Miller”
    Gone with the Wind and Absalom, Absalom!
    “Jelly Roll Morton speaks”
    “Billie Holiday, ‘Strange Fruit’”
    “Up from invisibility”
    “Tennessee Williams”
    “‘The Birth of the Cool’”
    The Autobiography of Malcolm X
    “Maya Angelou, Toni Morrison, Alice Walker”
    “Toni Morrison”

4. The American Short Story 1900-1945: A Critical History                        Philip Stevick

5. The Cambridge Introduction to the American Short Story (Cambridge Introductions to Literature)

6. Selections from Columbia Literary History of the United States           Emory Elliott
Part 4: 1910 – 1945
Part 5: 1945 to the Present

Meeting My Goals: Planning, Intention, and Follow-Through

I’ve wanted a PhD since I was eight years old. Eight-year-old me would in fact be disappointed that I am 27 and still in the process of obtaining a PhD, and I should have had those three letters after my name by age 25. But here I am, better late than never. I’m getting to study what I’m interested in, and I enjoy what I get to write about. Part of this journey, which I intend to enjoy as much as possible, is reading the important works in my field to become an expert.

My goal for the next four months will be to prepare to take my comprehensive exams. As I am getting my PhD in English, I will need to take three comprehensive exams: one on a century of literature, one on a genre (e.g. novel, short story, poetry, essay, etc), and one on either a special topic, author, or another century. I’ve chosen for my comprehensive exam lists to cover twentieth century American literature, the novel, and my dissertation topic—performance in twentieth century African American literature and culture.

As soon as I finalize my lists with my advisor, I’ll post my lists here and start reading. In order to be done with reading all the books on my lists (which are quite large) in a timely manner, I’m going to have to plan, and follow up with myself and have some accountability. To build notes for study and to keep myself accountable, I’ll to regularly update this section of my website with brief summaries and talking points for each of the works on my reading lists. And by regularly, that is at least weekly; many weeks it will be updated daily.

If you’re following along, I hope that my brief summaries, talking points, and occasional commentary on the works will encourage you to read some of the works I’ve chosen for my lists and expertise. I’ll organize my entries by list, subject matter, and critical discussion points. As I go, feel free to peruse and engage if you like.

Here’s to the next four months and beyond!